Tag Archives: Hollywood

Why don’t we talk about Charlie Sheen being a bad role model?

This week on Role/Reboot I wrote about the the term “role model.” I realized that, in my own head, I have a tendency to hold successful women to a higher standard, expecting them to be on “good behavior” and set the “right example” all the time, and for everyone. There are so many bad-behaving male celebrities, and we never talk abou them as being bad role models. I think in some ways it’s as simple as the fact that there are many more men in the limelight, and so the need for “role models” is not so dire.

We assume that women who seek fame or success should also be moral role models as well. We don’t hold men to that standard. Some of them just want to be rich and famous and don’t give two shits about who they influence along the way. I’m not suggesting that’s a great attitude, only that it’s one we accept from men. Maybe Rihanna just wants to be rich and famous? Being a “role model” has never seemed to be her priority, so we do keep trying to drape her in that mantle?

Screenshot_4_4_13_1_06_PMRelated Post: You guessed it, I’m a privileged white girl

Related Post: Sometimes, though, people are actually kind of cool

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Filed under Gender, Hollywood, Media, Republished!

Recommended Viewing

By request, here’s the complete list of recommended movies and television for the Re-Education Project. Just a reminder, these are not endorsements, or even necessarily “great” movies. I asked the Internet (well, my Internet) for recommendations of movies and TV that are defining, genre-challenging, game-changing, emblematic, problematic, or representative of depictions of women/gender/feminism/sex. I want to contextualize what I currently see and watch with some of their important predecessors, and these were your suggestions. Thank you!

Anything with an asterisk is on Netflix Watch Instant!

Television:

  • Ozzie and Harriet (1952)
  • The Jackie Gleason Show (1952)
  • Father Knows Best (1954)
  • Leave it to Beaver (1957)*
  •  that girlThat Girl (1966)
  • Mary Tyler Moore Show (1970)
  • All in the Family (1971)
  • Maude (1972)
  • The Jeffersons (1975)
  • Laverne and Shirley (1976)
  • The Cosby Show (1984)
  • Golden Girls (1985)
  • Roseanne (1988)
  • Murphy Brown (1988)
  • Prime Suspect (1991)*
  • Living Single (1993)
  • X-Files (1993)*
  • Xena  (1995)*
  • Buffy the Vampire Slayer (1997)*buffy
  • Farscape (1999)
  • Girlfriends (2000)
  • Alias (2001)*
  • Ellen (not the talk-show) (2001)
  • Firefly (2002)*
  • The L Word (2004)*
  • Veronica Mars (2004)
  • Damages (2007)*
  • Dollhouse (2009)*
  • Lost Girl (2010)*

Movies:

  • Morocco (1930)
  • Sylvia Scarlett (1935)
  • Streetcar Named Desire (1951)streetcar
  • Calamity Jane (1953)
  • Cat on a Hot Tin Roof (1958)
  • Breakfast at Tiffany’s (1961)*
  • Reflections in a Golden Eye (1967)
  • The Taming of the Shrew (1967)
  • The Stepford Wives (1975)
  • Looking for Mr. Goodbar (1977)
  • I Spit on Your Grave (1978)*
  • Norma Rae (1979)
  • 9 to 5 (1980)*
  • Coal Miner’s Daughter (1980)
  • The Best Little Whorehouse in Texas (1982)*
  • Tootsie (1982)
  • Silkwood (1983)
  • Yentl (1983)
  • The Color Purple (1985)
  • Aliens (1986)
  • Fatal Attraction (1987)
  • Baby Boom (1987)
  • Big Business (1988)
  • Working Girl (1988)working girl
  • Bull Durham (1988)
  • Steel Magnolias (1989)*
  • When Harry Met Sally (1989)
  • Thelma and Louise (1991)
  • Fried Green Tomatoes (1991)
  • A League of Their Own (1992)*
  • Sleepless in Seattle (1993)*
  • Natural Born Killers (1994)
  • Boys on the Side (1995)
  • The Long Kiss Goodnight (1996)
  • Jackie Brown (1997)*jackie
  • Elizabeth (1998)
  • All I Wanna Do (1998)
  • 10 Things I Hate About You (1999)
  • Introducing Dorothy Dandridge (1999)
  • But I’m a Cheerleader! (1999)
  • Erin Brockovich (2000)
  • Chocolat (2000)
  • Riding in Cars with Boys (2001)
  • Anita and Me (2002)
  • Bend it Like Beckham (2002)
  • Whale Rider (2002)
  • Mona Lisa Smile (2003)*
  • House of Flying Daggers (2004)
  • Brick Lane (2007)
  • Becoming Jane (2007)
  • Caramel (2007)
  • Persepolis (2007)
  • Juno (2007)
  • The Duchess (2008)
  • I Spit on Your Grave (2010)
  • Easy A (2010)

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Filed under Gender, Hollywood

Update on the Re-education Project

The view from the Sixth Floor Museum, in Dallas. See those green signs? That's about where Kennedy's car was when he was shot.

The view from the Sixth Floor Museum, in Dallas. See those green signs? That’s about where Kennedy’s car was when he was shot.

Apologies for the radio silence, mi amors. I’ve been in Texas complaining about the weather (I was cheated out of my 75 and sunny!), eating, and weeping at the Sixth Floor Museum (in the building from which Kennedy was shot).

You guys are seriously the best. Last week, I put out the call for movie/TV suggestions to help launch my “re-education project”  in which I try to round out my knowledge of historical on-screen portrayals of the ladies. The suggestions were fantastic and I’m just about ready to quit my job and sit in front of netflix all day. Later this week, I’ll list out all of the suggestions in case you want to undertake your own watch-a-thon.

Let’s talk about Waitress. This wasn’t even supposed to be an official part of the project; I had it filed away in my head as cutesy romance about a pregnant pie maker and her OB. Wow was I wrong. I mean, I’m not entirely wrong, that is what it’s about, but it’s about so much more! This is a feminist movie. About pie. And pregnancy. And romance. This proves, once again, that feminism is not about shitting on pies or babies, but is instead about thinking critically about what choices we afford people, what assumptions we make, and how gendered expectations can limit opportunity.

Waitress, if you don’t know, was a film written and directed by Adrienne Shelly (who was murdered in 2006), about a small-town diner waitress, Jenna, stuck in an abusive marriage. It could have been a heavy-handed film about domestic violence, capital D, capital V. Instead, it’s a sweet, silly, beautiful movie that also happens to capture some truths about domestic abuse that we are all very good at ignoring.

I happened to spend my Texas weekend with a friend who is a domestic violence counselor and she agreed that Waitress, through it’s humor and likability, is able to get at some of the insidious, less acknowledged components of abusive relationships. So many people say to her, why don’t these women just leave? Money is often the culprit, as it is with Jenna, who addresses “how lonely it is to be so poor and so afraid.”

waitressHer husband, Earl, is also not the caricature of an abuser we often see. He is not outright mean and aggressive, but controls Jenna through manipulation and subtle threats. He keeps her money so she won’t have other options. He undermines her confidence with casual insults. He tells her exactly what to say, and how to say it, forcing her to repeat to him the words he wants to hear. He also cries against her pregnant belly. He is weak and insecure, and he hides his insecurity behind faux swagger. He says things like:

“After everything I’ve done for you…”

“I provide for you. I put the clothes on your back, the roof over your head.”

“You’re the only thing I’ve ever loved.”

“You belong to me.”

“Ask me how was my day. Ask me like you mean it.”

Not all abuse looks like a black eye. Waitress also acknowledges the extremely precarious position Jenna’s pregnancy forces her into. Take Jenna’s observation about her unborn baby:

It’s an alien and a parasite. It makes me tired and weak. It complicates my whole life. I resent it. I don’t know how to take care of it.

It’s frank, it’s candid. She later says to her friend, “Not everybody wants to be a mama, Dawn, that doesn’t make me a bad person.” These are poor women. They are uneducated women. They are diner waitresses who expect to be diner waitresses forever, because there are no other choices. The ending of the movie (Spoiler Alert) also reinforces how trapped they are. Jenna is given a whopping financial gift from a dying customer and is able to rescue herself and her baby from her situation. It’s a fairytale, but through the transparent rosy glow of Jenna’s happy ending, it’s all the more evident how few happy endings real women in her position would have.

So yeah, it’s a movie about pie. There are lots of pastel colors, and Cheryl Hines cracking jokes, and Nathan Fillion looking dashing. But really, it’s a movie about what happens when you’re trapped and how hard we’ve made it to rescue yourself.

Related Post: Another great feminist movie, For a Good Time Call…

Related Post: Beasts of the Southern Wild

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Sunday Scraps 92

sunday92

1. CHICAGO: Love this story from Chicago Magazine about the millionaire founder of Land’s End’s financial and emotional commitment to personally reinvigorating the neighborhood he grew up in.

2. TINA: Blurgh! It’s over. At least the dearly departed 30 Rock  has left us with some serious vocabulary, as catalogued by Slate.

3. TINA #2: More on 30 Rock, because it’s just that important, Wesley Morris for Grantland specifically focuses on the show’s portrayal of race.

4. ART: Photographer Paul Schneggenberger captures couples sleeping over a 6 hour period and creates sort of wierd, mostly awesome portraits of sleep.

5. GUNS: Illinois has super harsh gun laws and yet Chicago has a serious gun problem. What gives? NYT has a map showing where Chicago guns come from.

6. MARRIAGE EQUALITY: My new favorite NBA player, Kenneth Faried, introduces his two moms (who seem quite reluctant to be on camera) to lend his voice to the fight for marriage equality.

Related Post: Sunday 91 – McDonald’s and books, sci-fi gender swapping, celeb high school photos

Related Post: Sunday 90 – Lindsay Lohan, Frida, Tina + Amy Forever

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Filed under Art, Chicago, Hollywood, Media, Politics, Really Good Writing by Other People, Sports

Sunday Scraps 90

sunday90

1. HOLLYWOOD: It’s the piece everyone was talking about this week, so if you missed it, play catch-up with the Lindsay Lohan/James Deen/Bret Easton Ellis/”The Canyons” how-the-sausage-is-made essay.

2. INDEX: This is Indexed blogger/writer/drawer Jessica Hagy is interviewed for Fast Company about how she found her 3×5 sized internet niche.

3. WRITERS: The Rumpus interviews Zadie Smith about her novel NW, and why she doesn’t write autobiographically.

4. TINA + AMY: How pumped are you for tonight’s Golden Globes hosting-duo? Not enough? Get more so with NYMag’s recap of their friendship.

5. INDIA: I can’t even begin to describe how dead-on this opinion piece by Sohaila Abdulali is, so I’m just going to quote it: “Rape is horrible. But it is not horrible for all the reasons that have been drilled into the heads of Indian women. It is horrible because you are violated, you are scared, someone else takes control of your body and hurts you in the most intimate way. It is not horrible because you lose your “virtue.” It is not horrible because your father and your brother are dishonored. I reject the notion that my virtue is located in my vagina, just as I reject the notion that men’s brains are in their genitals.”

6. FRIDA: A closet full of Frida Kahlo’s personal items has been locked and guarded for 85 years and has just now been opened and explored.

Related Post: Sunday 89: Avalanches, Mr. Wright, pickpockets and Matt + Ben Forever.

Related Post: Sunday 88: Russian gymnasts, the Rockaways, origins of “doubt”, Moloch

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Why You Should Watch That Show with the Terrible Name

jules

Tonight is the return of Cougar Town and it will be glorious. How much have you missed Dime-Eyes, Jelly, Jules, Trav, and the Robert “Bobby” Cobb? Penny can? Army Boyfriend Wade? Tom! Big Carl! The nice guy and the “other one!” Baby Stan! God, so many good friends that I just want to snuggle up with forever and ever.

Wait, you mean you weren’t watching Cougar Town? Seriously? Yes, I know it has a stupid name that even its own writers hate, and yes, I know the first seven episodes are terrible, horrible, no-good flailing attempts at comedy. I grant you all that, but will you pretty please just tune in already?

Cougar Town is one of the most delightful examples in my absolute favorite television genre, Mixed Groups Sitting and Talking, zanier than Friends, less gimmicky than HIMYM, slightly more stable than Happy Endings, and more generationally diverse than New Girl. And it is absolutely drenched in wine.

If that’s not enough for you, Cougar Town passes the Bechdel test with flying colors, and it even scores highly on my own overwrought, overly complicated rubric for determining whether a show is feminist or not. Behold:

1. Marriage and Babies? The main character, Jules, is 41 when the show starts. While her attempts at romance are plot point, they are not the plot point. Even for the younger character (Lauri), her trajectory is about figuring out what she wants in life (she starts a new business at the end of season 3), and less about some desperate or overwhelming urge to partner.

2. Women like sex too? Check! My favorite scene is when Lauri (late 20s) and Ellie (early 40s) try to find a sexual partner they’ve shared. Jules’ teenage son, Travis, matches up their respective lists to find a winner. “There are a LOT of names on these lists,” he says, and the two women high five.

3. Body beautiful? As important to me as this component of feminist-y media is, it’s such a rare find that I’m considering removing it from the list altogether. I guess I just have to acquiesce to the fact that 95% of bodies on television are going to be thin, blonde, and mostly white. On the other hand, on CT, you do get Andy (short, bald, pudgy, hairy), and yet all the women fit a very narrow version of beauty. That doesn’t seem quite fair….

4. Platonic Boy Girl Friendships? Cougar Town always wins big when it relies on the less frequent cross-gender friend pairs. There are some great moments between Ellie and Bobby and even better ones between Andy and Lauri. Plus, Lauri and Grayson sleep together and then manage to maintain a sweet, supportive friendship that isn’t tainted by their past shenanigans.

5. Girls that don’t talk about boys. Ellie, Jules and Lauri do spend a lot of time talking about boys (tennis pros, Abercrombie models, Zac Efron, and more), but they also talk about Lauri’s relationship with her mom, how Jules and Ellie’s parenting styles have differed, relationships with therapists, their aging bodies (but like… come on, have you seen Courtney Cox?), and Ellie’s claustrophobia as a stay-at-home mom.

6. People want different things? This metric is about recognizing that men aren’t just after sex and women aren’t just after love and Cougar Town nails it. People are complicated. Jules writes Grayson off as a player who left his wife to date younger women, and comes to find out she left him because he wanted children and she didn’t. The original (flawed) premise of CT was the very exploration of a woman pursuing sex for the sake of it. It didn’t work, but the conversations that continued are really, really good.

7. Some women are bitches, some men are douches ≠ Battle of the Sexes: Sometimes people behave badly, but their behavior isn’t tied to men being dicks and women being bitches. Ellie is the closest to a caricature of a bitch, but over the last few seasons her role in the group has gotten more and more delightfully complicated.

8. Feminism isn’t a dirty word. Not sure that Cougar Town ever explicitly brings up the F word (correct me if I’m wrong!) but I would argue that the show addresses a lot of the big third wave questions (slut-shaming, double-standards, pressure to partner, body-snarking, SAHM vs. working mom) with wit and with a progressive-ish attitude.

9. Male Gaze? CT is obsessed with bodies, to be sure: Grayson’s waxed chest, Lauri’s boobs, Travis’ insecurity about his physique, the very opening sequence of the series (Jules pinching her underarms), but the camera isn’t sexist. It doesn’t linger on women’s bodies, it doesn’t pan up and down, it doesn’t encapsulate the male gaze.

This is all beside the point (I mean, not really, but kind of…). Cougar Town is fucking hilarious. It’s one of those shows that rewards your for your loyalty by echoing past gags, trusting you to remember the inside jokes, and having characters evolve in ways that only make sense–but they do make perfect sense!–if you’ve been following along. So start with season 1, but know that the first seven will be kind of janky, and just stick with it. I promise it’s worth it in the end.

Related Post: Does The Good Wife out-feminist Parks and Rec?

Related Post: Why 2012 was a good TV year for the ladies. 

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Monday Scraps 89

sunday90.docx

1. SNOW: This epic John Branch story is a freaking commitment (took me about an hour to read, I think), but one that’s well worth it. With amazing graphics and video, he recounts the avalanche at Tunnel Creek.

2. THIEVERY: Super fun profile of “supernatural” pickpocket Apollo Robbins by Adam Green for the New Yorker.

3. FASHION: Girls is coming back! Yippee! Get excited by reading about how Jessa, Marnie, Shoshanna and Hannah are dressed and styled.

4. MONSTERS: As part of a promotional campaign for the new Monsters Inc. prequel, check out the parody website “Monsters University.”

5. MATT + BEN: Who doesn’t love a good oral history of a much beloved cultural landmark? (Side note: The Friends oral history in Vanity Fair was excellent.) For Boston magazine, Ben, Matt, Stellan, Robin and more recount how Good Will Hunting got made.

6. EDUCATION: I dare you to not get weepy at this NYT video of a very special physics teacher.

Related Post: Sunday 88: Boobs, doubt, the Rockaways, Moloch

Related Post: Sunday 87: Deb Perelman, Amy Hempel, Pinterest for cops

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Filed under Advertising, Education, Hollywood, Media, Really Good Writing by Other People, Sports

Sunday Scraps 85

sunday85

1. SPORTS: This Charles Siebert piece for the New York Times Magazine about the rigors and stresses of trying to make an NFL team is fascinating. How much do you want it? And how much are you willing to take to get it?

2. BOOKS: Super great Atlantic essay about author Ann Patchett (Bel Canto, State of Play) and her new bookstore in Nashville. As a lover of independent bookstores, I think this is all kinds of awesome.

3. CHRIS BROWN: After violent exchange with a female comedian on Twitter, Chris Brown deleted his account. The always excellent Roxane Gay on why criticizing Brown isn’t racist, and why it also is pretty f’ing complicated.

4. ELECTION: Curious about how all those Obama for America emails with subject lines like “Hey” or “It’s officially over” played out? Businessweek has some answers.

5. PAIN: There’s an extremely rare medical condition where you feel no pain. Sounds great, right? Not unless you step on a nail, scratch yourself bloody, or break an ankle and don’t realize it. The New York Times has an examination.

6. MEDIA: The Geena Davis Institute on Gender in Media has put together an excellent report about the representation of women on screen (especially on children and family programming) and Mother Jones has a summary of some of the most telling facts and figures.

Related Post: Sunday 84 – Letters from astronauts, the female male model, bedrooms around the world.

Related Post: Sunday 83 – Hillary Clinton’s next move, Denver public schools, Mormons on the Romney bus

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Filed under Body Image, Books, Gender, Hollywood, Media, Politics, Really Good Writing by Other People, Sports, Uncategorized

Raunch Humor and Feminism

Today’s Role/Reboot piece was inspired by my dissatisfaction with Bachelorette, the Lizzy Caplan/Kirsten Dunst/Isla Fisher/Rebel Wilson wedding comedy that I was so looking forward to.

I watched it by myself, which might be why it made me so sad, but I just couldn’t find the heart under the coke, vomit, and mean-girl one-liners. On the one hand, I want women to be allowed to behave “badly” on screen–I think it’s humanizing compared to the many one-dimensional, shellacked, lingerie-sporting sidekicks we often see,–on the other hand, what’s the difference between this and Real Housewives? Women treat each other like crap, friendship is mostly a platform to act out your envy, and filling the gaps in your happiness with drugs and sex is normal.

I think Bachelorette was supposed to have more substance, but it felt told instead of shown. You drove your friend to the abortion clinic? That must mean you care about each other. Too bad nothing you do reflects that you like each other, much less any deep wells of emotion.

Anyway, I was thinking about the relationship between potty humor, raunch culture, and feminist media, which is what inspired this, which is mostly about Bridesmaids and not Bachelorette, but whatever…

Related Post: Why this Emmy season rocked for women.

Related Post: Does The Good Wife out-feminist Parks and Rec?

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Don’t go see Cloud Atlas

You know what’s the worst (besides global warming, poverty, rape jokes, and Mitt Romney)? When Hollywood ruins a book you love, pulverizing whatever is subtle and delicate about it into a pulpy, preachy mess.

I loved Cloud Atlas. It wasn’t a perfect book, a desert-island book, or a book that I will pass on to my children, but it was a book that I loved for the few weeks I spent burrowing up in its six nested stories. It was complicated, and it asked me, the reader, to do some serious work. I’m a fan of a good YA novel every now and then, something to blow through to distract myself from mundane shit like the future of our country, but I like a book that doesn’t just deliver the goods with a 7th-grade vocabulary.

Cloud Atlas is an adult book about, not to be dramatic or anything, the very essence of humanity. Where the book gives you patterns and correlating stories and lets you come to your own conclusions about that essence of humanity, the movie voices-over the most simplistic, dumbed-down platitudes. God forbid you leave theater not knowing that, dramatic pause, we’re all connected.

Forget big picture, the Wachowskis missed the mark logistically, too. The novel unfolds with the six stories in a simple A,B,C,D,E,F,F,E,D,C,B,A pattern, beginning and ending with the same characters. The movie, on the other hand, ricochets every nine seconds. Before you’ve had a chance to reacclimate, they’ve moved on. Similarly, in an effort to maintain continuity they cast the same actors over and over again for each segment. Imagine Halle Berry in white face and green contact lenses as a 1930s Jew, or Jim Sturgess with artificially created slanted eyes to make him look Korean. Yeah, not good.

Oh, and did I mention it’s over three hours? Yeah, you can read half the book in that amount of time! Do it, I promise, you’ll be better off.

Related Post: Why I like YA books.

Related Post: Caitlin Moran’s How to be a Woman.

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