Tag Archives: Mary Karr

When You Turn the Last Page

When was the last time you were head over heels in love with a book? Most recently for me, Game of Thrones had me in its thrall for a solid two months (come on! It’s 5,000 pages!), and before that, I couldn’t put down Mary Karr’s Lit.

The one and only time I’ve ever purchased an actual porn DVD–I promise, this is related–it was because the Fleshbot reviewer wrote this (link NSFW):

“When I read the seventh Harry Potter book, I was so excited I immediately called my then-boyfriend and forced him to listen to me recite the entire plot from memory. (I realize now that that was more than a little crazy.) That’s how I feel about this movie. I want to call everyone I know and tell them every single thing that happened in every scene, from interview to orgasm. It’s that good.”

So I bought it. Did I like it? Yes, but this is not a post about porn. This is a post about that kind of mania the reviewer describes, where you try to relive the joy of a particular book by forcing everyone you know to love it too. There’s the initial pleasure of reading it yourself, and then after the experience is over, there are all the weird, vicarious ways you try to get at that initial sensation.

I read reviews of books after I turn the last page. I read all those pages of praise that publishers stack at the beginning. Sometimes, I go back and read the first few pages again just to remember how it all started. I read interviews with the author to see what layers I can add to the experience. Sometimes, I draw crazy maps of the characters. And sometimes, depending on the book, I make the people I love listen to me talk about it for aaaaaages. They are very nice people, and only rarely tell me to shut up.

I’m halfway through David Mitchell’s Cloud Atlas, and I’m in the moony-eyed, swooning, delirious phase of infatuation. I pull my face out of it when I get off the train, and it’s like a cartoon fade-away as Mitchell’s world recedes and the train platform comes into focus.

The book is built like a boomerang though time, or so says the book jacket. It begins in 1850, rockets through six separate stories related by the thinnest of narrative threads, peaks well in the future, and then ricochets backwards through the same six stories in reverse order. Each chapter is so uniquely intricate and wholly realized, I would happily read six separate novels.

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The Art of the Sentence

I have a little notebook in which I write down the best lines from things I read. I don’t necessarily write down the most moving, or the most meaningful, but the ones that are so complex, or beautiful, or just surprising in their formation, that I can’t bear to forget them. I like a good story, I really do, but a writer who clearly adores the act of forming sentences, the art of delicately stacking clauses, now that’s a real treat.

It’s no surprise that Mary Karr is one of those. She’s a poet, first and foremost, but her memoir Lit is what currently has me under its spell. I want to copy out every single sentence, and hope that in the act of repetition, some osmosis will occur. The last time I felt this way was about No One Belongs Here More Than You (Miranda July), and before that, it was The Collected Works of Amy Hempel, and before that, it was Song of Solomon. Given the quantity of written words I consume, stumbling onto this sort of devotion to words still feels like a rare and delightful gift.

“You enter that place and live suspended in amber like characters in a Victorian novel. How’re your parents, Mary, I’m asked. How’s your father? And I say the same and that it’s sad, and everyone agrees, and then the character of my pretzled daddy is dismissed like a servant whose health has been respectfully inquired after.”

“The bathtub I’m lying in feels like a stone island I’ve shipwrecked myself on.”

“On the dawn plane flying to Texas, I feel furious relief that he’s finally gone curling over me like a cold green wave, and in the backwash of that, icy shame. Wave after wave, I’m drenched and shamed that way till touch down on the tarmac between palms and razor grass.”

I could go on. Read the book, and do it slowly.

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Filed under Art, Books, Really Good Writing by Other People